Viñas DeLuxe, drag comedy queen, gets candid at her music video launch.

Musicians of the Philippine Philharmonic Orchestra (PPO) relive their Carnegie Hall concert and discuss new musical direction.

Love is messy, and unpredictable, and all shades of awkward in Almost, Maine.

Actor-director Joel Trinidad talks about the irreverence of Forbidden Broadway.

After a low-key dustup over the change in concert venue, Sting performs to an appreciative crowd.

A quick interview with the glamorous Mr. Lambert.

Singer-songwriter Cynthia Alexander is charmingly philosophical at her live recording of Walk Down the Road.

Hamlet in a post-apocalyptic world remains a moral dilemma resolved too late.

A futuristic Hamlet promises a fresh, edgy and more action-packed play—enough to draw in the non-theater-going youth.

One for the books: Jose Mari Avellana and Bart Guingona bring 'Tuesdays with Morrie' to life onstage.

Jose Mari Avellana, playing opposite Bart Guingona, returns to the stage as the titular character in "Tuesdays with Morrie."

A conversation with Salamin frontman Paolo Valenciano on rock, Christianity, and being "victims of parents that burn tapes, CDs."

Filipino bands build their branding from head to toe to “be the trendsetter, as opposed to just following the trend."

A (rather harsh) review of Evanescence's album, The Open Door. Mein (inner/buried) goth forgive me.

Norah Jones plays to her country roots in a band that pays homage to Willie Nelson, and it's rollicking fun.